|
Digital Art © Alan Hayes, 2o23 |
Written by Tony
Williamson • Directed by Roy Ward Baker |
ORIGINAL ITC SYNOPSIS |
Birds
can be killed - but not murdered. But the
attempted killing of birds leads to human
murders when an eccentric bird-lover leaves a
very strange will.
An assignment
to act as guardian to an aviary of tropical
birds is not only unusual but puzzling.
Nevertheless, Jeff Randall accepts when the
offer is made by a lawyer named Laverick, who
explains that the birds are part of the two
million pound estate left by the eccentric Mrs
Wentworth Howe. Under the terms of her will, the
entire estate is left in trust for as long as
the birds exist - probably twenty years or more
- and it will not be until all are dead that the
estate will be divided among the surviving
relatives.
And attempts
have already been made to kill the birds.
The Wentworth
mansion is at present occupied by the relatives - Colonel Chalmers, James Howe and his
wife Gabrielle and Sandra Joyce, a distant
niece, attractive and the rebel of the family.
The aviary is being looked after by the
gamekeeper Beeches.
Randall's
appearance on the scene is greeted with
suspicion, and he is glad to have Hopkirk as his
partner. The ghostly Hopkirk can keep watch on
the aviary without being seen.
Nevertheless,
it is not long before James Howe is found dead
in the aviary - poisoned. And Mrs Howe
confesses that she had placed poisoned bird seed
in the aviary.
She believes
her husband must have gone there to save the
birds. Frustrated at this defeat, she attempts
to set fire to the aviary but is foiled by the
invisible Hopkirk who is unable to save her from
being the second victim.
Suspicion
falls on Beeches, yet he is the only one who
doesn't stand to gain anything either by the
deaths of the humans or the birds. A hired
assassin is found. He has been engaged to kill
off the birds, but before he can say who has
hired him he, too, meets his death.
The cause of
the deaths is discovered: darts dipped in a
poison obtainable in India. And Colonel Chalmers
has spent much of his career in India. Before he
can be challenged he, also, is murdered.
In the midst
of all the drama, the lawyer, Laverick, arrives
at the mansion, staggered by what is happening
and realising that there is now only one
legatee... Sandra. But what of Beeches? The
police have detained him as a suspect but have
released him, and after the latest killing,
Randall and Laverick decide to hold him until
the police can again interview him. Beeches is
locked in the wine cellar. Hopkirk, however, is
inclined to suspect Sandra.
When Beeches
is found dead, it leaves only Sandra, but before
he can even give attention to this, Randall is
knocked unconscious by Laverick and is locked in
the cellar. Sandra is left alone with Laverick,
and there is only one man who can help her and
that is Marty Hopkirk.
But what can
a ghost do? The frantic Marty has somehow to get
a message to his widow, Jean. There is just one
way in which a ghost can act, and that's through
guests at a party who are indulging in a séance
with an upturned wine glass... |
|
PRODUCTION & ARCHIVE |
Production
Code:
RH/DCW/4006
Filming Dates: August-September 1968
Production Completed: Early December 1968
Recording Format: 35mm Colour Film
Archive Holding: 35mm Colour Film |
UK REGIONAL PREMIERES |
Anglia: Mon 12 Jul 1971, 11.00pm
ATV: Fri 5 Dec 1969, 7.30pm
Border: Fri 27 Mar 1970, 7.35pm (M)
Channel: Sat 25 Mar 1972, 5.10pm (M)
Grampian: Wed 6 May 1970, 7.55pm (M)
Granada: Sun 1 Feb 1970, 11.25pm
HTV: Sun 23 Nov 1969, 3.45pm (M)
LWT: Sun 21 Dec 1969, 7.25pm
Scottish: Sat 22 Jan 1972, 11.10pm
Southern: Sun 14 Dec 1969, 7.25pm
Tyne Tees: Wed 15 Dec 1971, 8.00pm
Ulster: Fri 14 Aug 1970, 11.00pm (M)
Westward: Sun 1 Mar 1970, 9.10pm (M)
Yorkshire: Fri 5 Dec 1969, 7.30pm |
(M) =
Transmitted in Monochrome/Black and White
(M*) = Transmitted in B/W due to ITV Colour
Strike |
CHARACTERS & CAST |
Jeff
Randall
Marty Hopkirk
Jean Hopkirk
Laverick
Sandra Joyce
Mrs Gabrielle Howe
James Howe
Beeches
Colonel Chalmers
Police Sergeant
Gimbal
Johns, the Butler
Carol
Peter |
Mike Pratt
Kenneth Cope
Annette Andre
Cyril Luckham
Jane Merrow
Gabrielle Brune
Tenniel Evans
David Lodge
Maurice Hedley
David Webb
Michael Goldie
Philip Lennard
Susan Brodrick
Leslie Schofield |
STAND-INS |
Jeff Randall
Marty Hopkirk |
Harry Fielder
Dougie Lockyer |
STUNT DOUBLES |
Jeff Randall |
Rocky Taylor |
BLU-RAY
RESTORATION |
35mm Negative /
Optical soundtrack
(magnetic soundtrack does not
exist) |
DVD SPECIAL FEATURES |
Network (United Kingdom):
Photo Gallery;
Umbrella Entertainment (Australia):
Episode Introduction by actress Jane Merrow,
Commentary by director Roy Ward Baker,
Photo Gallery. |
ORIGINAL SOUNDTRACK |
Selections from the incidental
score for this episode have been issued on Randall
and Hopkirk (Deceased): Original Soundtrack by Edwin
Astley,
Network, 2008. |
|
PRODUCTION CREDITS |
Writer – Tony Williamson
Series Theme & Musical Director – Edwin Astley
Creator & Executive Story Consultant – Dennis
Spooner
Creative Consultant - Cyril Frankel
Producer – Monty Berman
Director – Roy Ward Baker |
Ronald Liles
(Production Supervisor)
Brian Elvin (Director of
Photography)
Charles Bishop (Art Director)
Philip Aizlewood (Post Production)
Harry Ledger (Editor)
Jack Morrison (Production
Manager)
Gerald Moss (2nd Unit Cameraman)
Denis Porter & Len Abbott (Sound Recordists)
Guy
Ambler (Sound Editor)
Alan Willis (Music Editor)
John Owen (Casting)
Sue Long (Set Dresser)
Bill Greene (Construction Manager)
Tony Busbridge
(Camera Operator)
Michael Meighan (Assistant
Director)
Sally Ball (Continuity)
Peter Dunlop (Production Buyer)
Gerry Fletcher
(Make-Up Supervisor)
Jeannette Freeman
(Hairdresser)
Laura Nightingale (Wardrobe Supervisor)
A. J. Van Montagu (Scenic Artist)
Frank Maher
(Stunt Co-ordinator)
Cinesound (Sound Effects
Suppliers)
and Chambers + Partners (Titles).
Made on
Location and at Associated British Elstree
Studios, London, England
An ITC Production |
|
WHO
KILLED COCK ROBIN? • REVIEW |
A surprisingly
perfunctory script from the pen of the great Tony
Williamson that plays like a mediocre Agatha
Christie whodunnit. The characters are thinly sketched
and the guest actors are given scant screen time in
which to bring much to the party, with
Jane Merrow and Cyril Luckham turning in the only
performances of any real note as Sandra Joyce and
Laverick respectively. Merrow manages to keep the
audience guessing as to her involvement or otherwise
with the murders and among those playing the family
members is the only performer who brings any real life
to their role. Cyril Luckham, however, is superb. You can
practically see his mind ticking over as the situation
changes, even if the script does not serve him as well
as it might. David Lodge does a good job as Beeches,
the gamekeeper,
but the character is again predictable and
one-dimensional. Direction by Roy Ward Baker is one of
the saving graces of this production, but even he
struggles to realise the scenes where birds are loose
in the aviary; it ends up looking quite ridiculous,
though Baker masks the dummy birds on fishing lines
better than a less competent director might have done.
It wasn't just the birdseed that was poisoned; so was
the chalice Baker was given with this script. Once
again, the character of Jean Hopkirk is barely
utilised, with Annette Andre not even appearing until
the last ten minutes of the episode in a party scene
where Marty delivers an improbably long message one
letter at a time via a ouija board. Plus points of
Who Killed Cock Robin? are the striking location
used, The Edgwarebury Hotel, better than usual
location to studio matching, the lovely scene where
Marty keeps blowing out the matches that Mrs Howe is
lighting with the intention of setting the aviary
ablaze, and, well, precious little else. Bottom drawer
Randall and Hopkirk (Deceased), really, a poor
episode that is among the series' least memorable.
|
|
WHO
KILLED COCK ROBIN? • DECLASSIFIED |
-
Teaser...
At dusk, a car pulls up outside the gates of the
Wentworth Howe estate. A man, Gimbal, turns off the
engine and leaves the car, closing the driver's door
behind him. In the grounds, Beeches, the family's
gamekeeper, hears the sound of the car door
slamming, thinks to investigate, but quickly
dismisses it as being important. As Gimbal scales
the fence and enters the grounds carrying cased
binoculars and a briefcase, Beeches walks to the
aviary on his rounds, turns the lights on and goes
inside; a menagerie of exotic birds await him.
Outside, Gimbal raises his binoculars and observes
Beeches in the aviary. He turns and unlocks his
briefcase. Inside are the parts of a rifle, which he
assembles. Looking through the sights of the rifle,
he focuses them upon Beeches, waits a moment and
then fires. Inside the aviary, Beeches is shocked by
the noise of the shot and a cry from one of the
birds which suddenly falls from its perch. Outside,
the assassin looks on, satisfied...
-
Production
Brief...
Who Killed Cock Robin? is a landmark in
the development of Randall and Hopkirk (Deceased)
as it marked the first contribution to the series
from the celebrated ITC scriptwriter, Tony
Williamson. It is far from a distinguished debut,
but Williamson quickly found the pulse of the series
and would go on to pen a further eight episodes.
Many of these are today considered to be among the
absolute classics of Randall and Hopkirk
(Deceased) and play towards the series lighter,
more fantastical side. Williamson had been born in
Manchester in 1932 and forged an early relationship
with series creator Dennis Spooner during the Second
World War. Following his demob, he pursued a career
in news broadcasting for CBS in Canada and, as a
sideline, wrote more than two dozen short plays
which were, over time, adapted for television for a
variety of anthology series. Following his return to
Britain in the early 1960s, Williamson submitted
scripts for soap operas such as Coronation Street
and the BBC's Compact before finding his
niche as a writer with a penchant for fantasy. This
can be traced back to 1965 and his first script
commissions for The Avengers, three episodes
that included the surreal classic Too Many
Christmas Trees, and Danger Man, for which he
submitted another solid gold classic, The Not So
Jolly Roger. Before long, Williamson was being
courted as a much-valued writer and was poached by
Sydney Newman at the BBC to co-develop and script
edit the corporation's rival to The Avengers,
the fondly remembered Adam Adamant Lives!
When this was cancelled after two years, Williamson
stayed initially with the BBC, writing for The
Revenue Men and Dr Finlay's Casebook
before drifting back to The Avengers and
resuming his ITC association by submitting four
scripts to The Champions, including fan
favourite Shadow of the Panther. While writing for
Randall and Hopkirk (Deceased), Williamson
was developing a series for the BBC, the short-lived
Counterstrike, and writing episodes for
Department S, which was being produced
concurrently alongside Randall and Hopkirk
(Deceased) at Elstree. After finishing on the
series, Williamson remained a favoured writer on ITC
productions and contributed to The Persuaders!,
Jason King, The Adventurer and ITC's
adventure series swansong, Return of the Saint. He
also wrote in the 1970s for the BBC's long-running
police series Dixon of Dock Green and Euston
Films' Special Branch. After heart surgery in
1980, Williamson deliberately put his writing career
on the back burner, but by the mid-Eighties, he was
back into the swing of things, writing many episodes
for the supernatural anthology series Worlds Beyond
and enjoying renown in an unexpected quarter when he
wrote a television mini series for Scandinavian
television, Röd snö, which was a
Norwegian-Swedish co-production. Sadly, Tony
Williamson's heart problems returned and he died in
1991 during a second round of heart surgery. He was
58.
-
This script
utilised Dennis Spooner's
suggestion in the original series outline that Marty
could communicate with the living via an upturned
wine glass. However, Spooner set this event at a
seance whereas Williamson transplanted it to a party
where guests are dabbling with a ouija board.
Williamson would later use the remainder of the
Spooner's idea in his second script for Randall
and Hopkirk (Deceased),
The Trouble with Women. The relevant section
of Spooner's outline is reproduced below (see our
Origins section
for further detail about this document).
We feature a
gloomy, dark house set in its own grounds. A
creaking board pronounces, 'The British
Spiritualist Society'. Inside, a seance is in
progress. The window bursts open with a great rush
of air, and Hopkirk enters. Hopkirk - he can
naturally talk to his fellow ghosts - asks the
residing spirit to 'lend' him his seance. Problems
arise as there appears to be a waiting list for
this sort of thing, but eventually Hopkirk gets
his way and spells out, with an upturned wine
glass on the shiny table, his 'message'.
Does Randall get
the message in time - or even believe it? Well,
that is part of the story and unnecessary for this
example. |
|
Document Extract © ITV Studios, 1968 |
-
Director Roy Ward
Baker signed off from Randall and Hopkirk
(Deceased) with this episode having completed
one other,
But What A Sweet Little Room. He
would go on to continue his long association with
ITC by working on The Persuaders!, Jason
King, The Protectors and Return of the
Saint in the 1970s. He later recorded an audio
commentary to accompany this episode for Australian DVD
licensees Umbrella Entertainment on 9th June 2004.
-
On the Umbrella
audio commentary for this episode, director Roy Ward
Baker alluded to the process of redressing sets:
"The sets were very good. We were used to that and
expected it. One of the interesting things about
series production was the way in which sets were
adapted, revamped and repainted from episode to
episode and series to series. A lot of it depended
on Elstree Studios' enormous scene block. They'd
been building sets there since the 1930s and never
threw anything away. They chopped it up into
manageable pieces and stored it, so there was a
wonderful 'wardrobe' of sets that you could pull out
of the hanger, reassemble piece by piece in a
different shape or order and get a marvellous set
for very little cost."
-
Frank Morrison
assumed the role of Production Manager from this
episode, replacing Ernest Morris, who had filled the
position on all episodes between
My Late Lamented Friend and Partner and
You Can Always Find a Fall Guy.
-
Exact filming
dates for this episode are unknown, but it is known
that Roy Ward Baker commenced filming Who Killed
Cock Robin? in August 1968. It is generally
thought that filming for the episode concluded
during September 1968.
-
Post production
work on this episode was completed in early December
1968. It would, however, not receive its first UK
broadcast until it aired in the Harlech region
on Sunday 23rd November 1969, nearly a year later.
-
On Location...
Not an episode that travelled around, but one with a
central location that is among the most treasured by
fans of the series - the beautiful Edgwarebury Hotel
in Elstree. At the time of filming, the property was
known as the Edgwarebury Country Club. Today, after
an expensive makeover by the the Laura Ashley
textile design company,
it is called simply The Manor: Elstree and remains a popular
meeting place for fans of Randall and Hopkirk (Deceased)
and other adventure series that filmed there such as
The Avengers and The Saint. It is worth
noting that the house has never had an aviary and
the one seen in Who Killed Cock Robin? was
realised entirely in studio. The only other
locations used were backgrounds shot on Lincoln's
Inn Fields, a picturesque square in central London,
and scenes filmed in a wooded area that adjoined the
Elstree Studios backlot, with a solitary shot
completed on the perimeter of a neighbouring
property to the Edgwarebury Hotel. More details in
Locations: Who Killed Cock Robin?.
-
Trivia...
It is in this episode that Jeff Randall first
reveals his full Christian name as 'Jeffrey'.
-
This episode
marked the second time in six episodes that the name
'Wentworth' had been used as a family name (here
appearing in relation to the Wentworth Howe estate). It had
been employed previously in
For the Girl Who Has
Everything, written by Donald James. The
writer of this episode, Tony Williamson, would go on
to utilise it once more in
Never Trust a Ghost, where a character -
Rawlins - gives 'James Wentworth-Smith' as a false
name. Williamson would later re-use the
Wentworth-Howe name in The Positive-Negative Man,
a 1967 episode of The Avengers, and
the character, Cynthia Wentworth-Howe would be
played by
Never Trust a Ghost guest star Caroline
Blakiston!
-
The name 'Rawlins' may seem
familiar to viewers of Randall and Hopkirk
(Deceased) - perhaps that's because it is used
(with the alternative spelling 'Rawlings') in But
What a Sweet Little Room.
-
The poison used
against the human victims in this episode - rinstat
- is a fictional invention and not a genuine
substance.
-
This is the
second episode in which we see Jeff wearing his
trademark leather jacket. Mike Pratt had previously
worn the garment in
A
Sentimental Journey and it would be brought
into more regular service from
Never Trust a Ghost onwards.
-
After the first
nine episodes of their run had been shown in black
and white, the Southern ITV channel moved to colour
broadcasts. The region's Dover and Rowridge (Isle of
Wight) transmitters switched to colour on Saturday
13th December 1969 and Southern transmitted Who
Killed Cock Robin? the following day at 7.25pm.
-
Only You, Jeff?
The episodes
For the Girl Who Has Everything
and
You Can Always Find A Fall Guy had
previously established that Marty
can be seen (or at least sensed) by members of the
animal kingdom. Who Killed Cock Robin?
further reveals that birds can also see or at least
sense the late Mr Hopkirk. Marty's appearance in
the aviary initially sets the birds off into a
frenzied panic, but we also see that he is able to
calm them with a whistle and an unsubtle call to
"Shut up!".
-
Marty also
manages to get a
message through to Jeannie at a party that she is
attending through the medium of an upturned glass on
a ouija board.
|
1961 Wolseley 6/99
Registration 489 BLU
Driven by Gimbal |
Also appeared
in:
Randall and Hopkirk (Deceased) -
'Vendetta for a Dead Man'
Gideon's Way - 'The Tin God', 'The V
Men', 'The White Rat', 'Gang War', 'The Great Plane
Robbery', 'The Millionaire's Daughter'
The Saint - 'Escape Route', 'The Power
Artists', 'Legacy for the Saint'
The Champions - 'The Fanatics',
'Twelve Hours', 'The Body Snatchers', 'Full Circle'
Department S - 'Six Days' |
|
1968 Vauxhall
Victor FD 2000
Registration RXD 996F
Driven by Jeff Randall |
Also appeared
in:
Randall and Hopkirk (Deceased) -
used extensively throughout the series
Department S - 'The Last Train to
Redbridge', 'The Man from X' |
|
1968 Ford
Zephyr Deluxe MkIV
Registration PXD 976F
Driven by Police Officer |
Also appeared
in:
Randall and Hopkirk (Deceased) -
'My Late Lamented Friend and Partner', 'A
Sentimental Journey', 'Who Killed Cock Robin?',
'The Trouble with Women', 'Whoever Heard of a Ghost Dying?', 'Never Trust A
Ghost', 'Vendetta for a Dead Man', 'A Disturbing Case', 'Somebody Just Walked
Over My Grave'
Department S - 'The
Bones of Byrom Blain' and other episodes |
|
1965 Humber
Hawk Series IV
Registration GVB 505D
Driven by Laverick |
|
Images © ITV
Studios, 1968 |
-
Seen It All
Before? The study set seen in previous episodes
including
My Late Lamented Friend and Partner
was redressed for Who Killed Cock Robin as
the lounger at the home of Wentworth Howes.
-
The cellar that
had been constructed for the Department S
episode A Cellar Full of Silence and which
had subsequently debuted in Randall and Hopkirk
(Deceased) in
You Can Always Find A Fall Guy
appears again here. It would later be reused in the
Department S episodes Handicap Dead and The
Treasure of the Costa del Sol among others.
-
That same police
car again... the Ford Zephyr registration PXD 976F.
Central London, Borehamwood, Winchester and now the
Wentworth Howe driveway. Is it the only vehicle the
police force owned?
-
The set for
Jeff's apartment makes a covert appearance here,
heavily redressed for the party scenes towards the
end of the episode. Jeff's walk-in kitchen area
fitting was omitted, making the set less
recognisable.
-
Cock-ups... We
start with what appears at first glance to be a
cock-up, but isn't! In the teaser, where Beeches
(David Lodge) enters the aviary, he opens the
exterior door, which has a pane of glass surrounded
by a white-painted wooden frame, and walks in
through it. The camera cuts to the interior and we
see him closing the door, but it is now a wire
meshed and unpainted interior wood framed door. What
the edit omits to show clearly is that there is an
'air-lock' style entry to the aviary, with an
exterior and interior door, designed to allow entry
without risking the escape of the birds.
-
At the party,
Jeannie changes the record. Before she does, we see
she is holding an Ike and Tina Turner album, River
Deep - Mountain High. When she puts the record on,
it's definitely not Ike and Tina Turner - in fact,
it was Kit for Kats by Van Doren, from the Chappell
music library.
-
When Marty is shot
with a poison dart and turns to find it embedded in
the door, eagle-eyed viewers might already have
spotted it there before he is shot!
-
And Finally... At one point in the episode, when
Gabrielle Howe declares spitefully that "there's no
law against killing birds," what she says was not
strictly true. The welfare of wild and captive birds
was addressed in the Protection of Birds Act of
1954, though it neglected to mention the legality of
ghosts telling them rudely to "Shut up!"
Plotline: Scoton Productions / ITC • UK
Transmissions by Simon Coward and Alan Hayes
Review by Alan Hayes • Declassified by Alan Hayes with thanks to Vince
Cox, John Holburn and Andrew Pixley
All timings given on this page relate to the Blu-ray edition of this episode |
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Back to
Programmes Index •
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The Smile Behind the Veil
Locations: Who Killed
Cock Robin?
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