|
Digital Art © Alan Hayes, 2o23 |
Written
by Donald James • Directed by Cyril Frankel |
ORIGINAL ITC SYNOPSIS |
A ghost
becomes a ghost-hunter when death strikes in a
haunted castle.
When a girl
has everything, including wealth, an eighth
husband and a haunted castle, a ghost-hunter
becomes a necessity. And Kim Wentworth has
everything that her current husband, Larry
Wentworth, disappears so often to his artist's
studio in seclusion. Now, because she complains
that the ghost of Crake Castle is worrying her,
she employs a ghost-hunter named James
McAllister. He is present when a ghost terrifies
Kim, though he fails to catch the mysterious
visitor.
Convinced
that the ghost was not genuine, McAllister
approaches Jeff Randall for help, offering to
split his fee. The idea of ghost-hunting is
particularly intriguing for Jeff's ghostly
partner, Marty Hopkirk, and they begin their
investigations. The first thing they discover is
that Larry Wentworth's 'studio' is a cottage
inhabited by a very attractive girl, later
identified as Laura Slade - and Larry is there
when McAllister, on duty at the castle, is
murdered. Jeff and Marty are therefore fully
aware that Larry Wentworth couldn't have
committed the crime.
A ghost?
Certainly, there are no signs of anyone having
entered the castle. Both Kim Wentworth and her
French manservant Jean-Claude are adamant on
this point.
Jeff and
Marty discover, however, that someone could have
hidden in an old priesthole concealed behind a
bookcase.
Marty also
makes the surprising discovery, when meeting
Jeff in an olde-worlde cafe, that it's owner
Mrs Pleasance, is psychic. She can actually see
him and talk to him. She is therefore a very
useful contact in learning what is happening in
the district.
Then the
'ghost' strikes again, attacking Kim Wentworth
in her bedroom. She shoots him - to find that
she has killed her husband. It appears to be a
tragic conclusion to the case. Larry Wentworth
has obviously invented the ghost in order to
frighten his wife and then get rid of her so
that he can inherit her fortune and then marry
Laura Slade. The Coroner's verdict will be
accidental death.
But Jeff is
not satisfied. It doesn't explain who killed
James McAllister. He continues his
investigations and establishes a plot between
Kim Wentworth and Jean-Claude... a discovery,
however, which leads to his own undoing when he
is trapped and imprisoned in the priesthole.
Marty is the only one who knows he is there and
there is no way in which Marty can rescue him
until he remembers Mrs Pleasance. Her help has
a very unexpected outcome... |
|
PRODUCTION & ARCHIVE |
Production
Code:
RH/DCW/4003
Filming Dates: June-July 1968
Production Completed: October 1968
Recording Format: 35mm Colour Film
Archive Holding: 35mm Colour Film |
UK REGIONAL PREMIERES |
Anglia: Sun 20 Dec 1970, 3.00pm (M*)
ATV: Fri 19 Dec 1969, 7.30pm
Border: Fri 30 Apr 1971, 7.30pm (M)
Channel: Fri 28 Nov 1969, 7.05pm (M)
Grampian: Wed 20 May 1970, 8.00pm (M)
Granada: Fri 6th Mar 1970, 7.30pm
HTV: Sun 14 Dec 1969, 3.45pm (M)
LWT: Sun 7 Dec 1969, 7.25pm
Scottish: Sun 30 April 1972,
11.20pm
Southern: Sun 4 Jan 1970, 7.25pm
Tyne Tees: Sun 4 Jun 1972, 11.15pm
Ulster: Unconfirmed
Westward: Fri 28 Nov 1969, 7.05pm (M)
Yorkshire: Fri 19 Dec 1969, 7.30pm |
(M) =
Transmitted in Monochrome/Black and White
(M*) = Transmitted in B/W due to ITV Colour
Strike |
CHARACTERS & CAST |
Jeff
Randall
Marty Hopkirk
Jean Hopkirk
Kim Wentworth
Mrs Pleasance
James McAllister
Larry Wentworth
Jean-Claude
Laura Slade
Vicar (Uncle Oliver)
Girl (Vicar's Niece)
Police Sergeant
Coroner |
Mike Pratt
Kenneth Cope
Annette Andre
Lois Maxwell
Marjorie Rhodes
Freddie Jones
Michael Coles
Paul Bertoya
Carol Cleveland
Eric Dodson
Carol Dilworth
George Lee
Basil Clarke |
STAND-INS |
Jeff Randall
Marty Hopkirk |
Harry Fielder
Dougie Lockyer |
BLU-RAY
RESTORATION |
35mm Negative /
Optical soundtrack
(magnetic soundtrack does not
exist) |
DVD SPECIAL FEATURES |
Network (United Kingdom):
Commentary by Cyril Frankel, Ken Baker and Malcolm
Christopher, Photo Gallery;
Umbrella Entertainment (Australia):
Photo Gallery. |
ORIGINAL SOUNDTRACK |
Selections from the incidental
score for this episode have been issued on Randall
and Hopkirk (Deceased): Original Soundtrack by Edwin
Astley,
Network, 2008. |
|
PRODUCTION CREDITS |
Writer – Donald James
Series Theme & Musical Director – Edwin Astley
Creator & Executive Story Consultant – Dennis
Spooner
Creative Consultant - Cyril Frankel
Producer – Monty Berman
Director – Cyril Frankel |
Ronald Liles
(Production Supervisor)
Eric Coop (Director of
Photography)
Charles Bishop (Supervising Art
Director)
Bob Cartwright (Art Director),
Philip Aizlewood (Post Production)
John Ireland
(Editor)
Ernest Morris (Production Manager)
Stephen Dade (2nd Unit Cameraman)
Denis Porter & Len Abbott (Sound Recordists)
Guy
Ambler (Sound Editor)
Alan Willis (Music Editor)
John Owen (Casting)
Sue Long (Set Dresser)
Bill Greene (Construction Manager)
Harry Gillam
(Camera Operator)
Ken Baker (Assistant Director)
Sally Ball (Continuity)
Peter Dunlop (Production Buyer)
Gerry Fletcher
(Make-Up Supervisor)
Olive Mills (Hairdresser -
uncredited)
Laura Nightingale (Wardrobe Supervisor)
A. J. Van Montagu (Scenic Artist)
Frank Maher
(Stunt Co-ordinator)
Cinesound (Sound Effects Suppliers)
and Chambers + Partners (Titles)
Made on
Location and at Associated British Elstree
Studios, London, England
An ITC Production |
|
FOR
THE GIRL WHO HAS EVERYTHING • REVIEW |
Donald James' first script for Randall and Hopkirk
(Deceased) is a solid, promising effort that exploits
the supernatural, or so you think. Dialogue is well
written and if there is any problem with James'
penmanship it is that occasionally the audience is
well ahead of the characters, not least when he has
Marty going to extreme lengths to grab someone to
rescue Jeff from the priesthole at Crake Castle.
Considering Marty's surprise that tearoom owner Mrs
Pleasance can see him, it doesn't exactly convince
that he totally forgets this until he is struggling
for a solution. In fact, Mrs Pleasance is the
undoubted
highlight of this episode, due greatly to the wonderfully
playful performance from Marjorie
Rhodes, who exploits every last second she is on
camera to memorable effect. The scene in which she reveals to Marty
that she can see him is touching
and funny and both she and Kenneth Cope play it
exquisitely. Also among the cast, the wonderful Freddie Jones delivers one of his
customary outstanding performances and it is a disappointment
when his character becomes the first to be knocked
off. This is, however, something of a relief after two
episodes in which, with the exception of Marty
Hopkirk, only female characters had ended up in
the morgue. Lois Maxwell does well as Kim Wentworth,
and it is always a pleasure to see her performances in
ITC shows and of course the Bond films. Much missed.
On the other side of the camera, Cyril
Frankel's direction is pretty much note perfect, as is
more or less a given, the
only oddity being the inclusion of Latimer as a
location when additional footage shot in the
picturesque village of Denham would seem to have made
more sense, from a narrative perspective at least. In
all, a good script which is further elevated by
the performances of the regulars plus Marjorie Rhodes,
Lois Maxwell
and Freddie Jones and the slick direction of Cyril
Frankel. Perhaps the weakest of the opening three
episodes, but still highly entertaining. |
|
FOR
THE GIRL WHO HAS EVERYTHING • DECLASSIFIED |
-
Teaser... James McAllister arrives by motorcycle
at Jeff's apartment. He has tried the office, but
has been redirected to the flat. Jeff, his face
still smothered in shaving cream, reveals that he
has had a late night and entreats the stranger to
explain his reason for looking him up. McAllister
confides that he has a strange profession - he is a
ghost hunter and he claims that he is able to tell
when he is in the presence of a ghost. Marty points
out, uncharitably but quite accurately, that he
can't be much good as McAllister doesn't notice him
standing right beside him. This is quickly forgotten
when the visitor makes the private detective
an offer he can barely afford to refuse. McAllister
has been hired by Kim Wentworth, heir to the
Rieskamp fortune, to exorcise ghosts haunting her
ancestral home, Crake Castle. McAllister is convinced
that there are no ghosts at the castle, and intends
to enlist Jeff's help to get to the bottom of the
mystery. He will split his £1500 fee 50:50 with Jeff,
should he accept. Jeff jumps at the chance and
agrees to meet with his new client at the castle the
following morning. McAllister hands Jeff an envelope
containing a cheque for £750 and departs to take the
night's watch at Crake Castle.
-
Production
Brief...
For the Girl Who Has Everything was the
debut script by prolific Randall and Hopkirk
(Deceased) scriptwriter, Donald James, who would
go on to pen eleven episodes in total. In the
commentary for this episode on the Network DVD
edition, director Cyril Frankel remembers Donald
James as "one of the exceedingly talented writers
that Dennis Spooner selected and commissioned
scripts from. If I received one with his name on, I
knew I could relax before I read it." Bearing in
mind that James was working on other series during
the same period, including The Saint (three
screenplays), Joe 90 (another three),
Department S (two screenplays) and The
Avengers (one), it is easy to see the strenuous workload
imposed upon writers who could be relied upon to
capture the spirit of a series and churn out scripts
at a remarkable rate. In the same period, Tony
Williamson delivered screenplays for nine Randall
and Hopkirk episodes, five Avengers, five
for Department S and devised a thriller
series for the BBC, Counterstrike, for which
he penned one screenplay. Both writers produced
twenty scripts in a period of about eighteen months.
It is a testament to the abilities of both writers
that the quality of their work was always so high.
-
Malcolm
Christopher, later Production Designer on the
series, revealed on the Network DVD commentary for
this episode that while he did not fulfil this role
on For the Girl Who Has Everything, he
scouted and found the locations for the episode.
-
From this episode, Sue Long
assumed the role of Set Dresser on Randall and Hopkirk
(Deceased), replacing Clifford Robinson who had
fulfilled the role on the first two episodes of the
series. Long would act as Set Dresser for all
episode up to and including
Money to
Burn.
-
The character of Mrs Pleasance clearly owes a
considerable debt to a character that featured in
Dennis Spooner's original outline for the series, an
elderly, eccentric lady able to see and converse
with Marty's ghost After watching For the Girl
Who Has Everything, it is impossible not to find
the following extract uncannily familiar (aside from
the fact that in the outline, Jeff cannot see
Marty!):
RANDALL AND
HOPKIRK (DECEASED)
Extract from Dennis Spooner's Original Outline
"Hopkirk is
walking down Chelsea High Street battling his
brains on how he can contact Randall again and
give out a further clue he has acquired.
Hopkirk is
always dressed in ghostly garb. A normal outfit of
clothes, but every article a plain shade of pale
green.
So deep is
Hopkirk in thought that when an elderly, eccentric
looking lady - very much of the living - says
"Good morning" as he passes her, he has gone some
yards before he realises the significance.
Hopkirk dashes
back. "You can see me - and I'm a ghost!"
The lady nods.
It appears she always has been somewhat psychic.
Hopkirk's joy knows no bounds. At last an end to
all his problems. He succeeds in persuading the
lady to telephone Randall, and to pass on the
information.
Later in the
office, Hopkirk is explaining to Randall (not that
he can actually hear a word) that everything from
now on will be plain sailing. Randall will get the
cases, Hopkirk will find the clues and pass the
information on through his new good friend.
Then - horrors -
through the wall comes the lady - totally dressed
in a pale green ghostly outfit. It transpires that
she has called to say goodbye... she always meant
to get those steps in the kitchen fixed, but,
alas, too late..." |
Document
Extract © ITV Studios, 1968 |
|
-
Carol
Cleveland (Monty Python's Flying Circus) appears in
this episode as Laura Slade, the mistress of Larry
Wentworth (as an aside, she wears the same dress
that she wore in the Man in a Suitcase
episode The Sitting Pigeon, presumably from
her personal wardrobe). However, she was not the original
choice for the part. The scene at the cottage in
which Laura Slade converses with Jeff Randall (Mike
Pratt) was originally filmed with another actress,
Judy Huxtable. Huxtable had previously guested in the ITC series Danger Man
and would later become the second Mrs Peter Cook,
when she married the celebrated comedian in 1973.
Whether for performance or technical reasons, the
scene was remounted and Carol Cleveland was then
engaged to play the part and the sequence appears to
have been filmed soon after (not least because the
set and dressing is identical across the two
versions. It is unclear whether or not Ms. Huxtable
was approached for the remount. It is entirely
possible that she was not available, although of
course there is also the possibility that the
director was not happy with her performance in the
scene. The footage does not survive.
-
For the Girl
Who Has Everything is interesting in that it
shares not only a location with sister series
Department S, the Buckinghamshire village of
Latimer, but also a fictional public house, The Duke
of Cumberland. Clearly an arrangement of convenience
and not an intentional narrative link between the
series, it is interesting nonetheless to contemplate
that the pub where Jeff stays in For the Girl Who
Has Everything, The Duke of Cumberland, is the
same establishment where Jason King, Stewart
Sullivan and Annabelle Hurst base themselves to
unravel the mystery of The Pied Piper of
Hambledown in Department S. Both episodes were filmed
during the summer of 1968, and two of the three shots of Latimer
that appear in For the Girl Who Has Everything
are replicated in the Department S episode,
suggesting that the footage was shared between the
two productions. Most likely this footage for
Randall and Hopkirk (Deceased) was all shot by
the Department S team.
-
The Duke of Cumberland would appear
again in Randall and Hopkirk (Deceased) when
the crew returned some six months later for a more
extensive shoot on
The Man from Nowhere, and
in Department S for a second time in Who
Plays the Dummy? (although the latter was
reduced to an establishing shot only). Considering
all these filming sessions, it is surprising that
the 'public house' was actually the village Post
Office (now a residential property) and the pub
signage was a prop taken to the location. One
wonders why the same pub sign was retained on each
occasion.
Image © ITV Studios
Digital manipulation: Alan Hayes
-
With so much location work
carried out for the episode in Denham, it is strange
that the
For the Girl
Who Has Everything crew chose not to shoot
establishing shots of a public house there, perhaps
The Swan Inn, which appears in the episode in any
case. We will probably never know the answers to
these questions, so in happy ignorance, we can dream
that Jeff and Marty operated in the same fictional
world as Jason, Stewart and Annabelle and Jeff often
popped out for a pint with Stewart Sullivan and the
gang. Perhaps Marty was Jason King's ghost writer?
(Sorry!) If the two series did exist in one
fictional world, one question that just has to be
asked is why Jeff never seems to have noticed that a
number of the villains under investigation by Jason,
Stewart and Annabelle kept driving around in his
Vauxhall Victor!
-
Annette Andre
makes a small but important contribution to this
episode in terms of her character development as
Jean Hopkirk. While she has precious little to do in
the narrative, she is now seen for the first time to
be working in an administrative capacity at the
Randall and Hopkirk offices.
-
As in the opening
two episodes, Kenneth Cope's wig is
on back to front with its parting on the left-hand
side in some scenes in For the Girl Who Has
Everything. The soles of his shoes are dark once
again, after they had been whitened for
But What
A Sweet Little Room.
-
Despite the
difficulties of setting up the transparent 'Pepper's
Ghost' technique, it is used again here, first when
Marty walks through the bookcase in Kim Wentworth's
bedroom at Crake Castle, and then again when he
tries to press the release button on the bookcase,
hoping to release Jeff from the priesthole behind
it. His hand simply goes through the button.
-
Stock film of an
owl at night was used in this episode and the
footage will be very familiar to anyone who has
watched other ITC series over the years!
-
Filming of this episode took
place in June to July 1968. Post production
work was completed in late October
1968. It would, however, not receive its first UK
broadcast until a year later on Friday 28th November
1969, when it was transmitted by the Westward and
Channel ITV regions.
-
On Location...
Again, some great location work in this episode,
taking in the exclusive and striking Hilfield Castle
in Bushey and the picturesque Denham village, always
a very popular filming location for British film and
television, as well as the customary London and
Harrow locations establishing Jeff's apartment and
the Randall and Hopkirk offices respectively. The
footage of Latimer was borrowed from the crew
shooting Department S.
More details in
Locations: For the Girl Who Has Everything.
-
Trivia...
Ghost-hunter James McAllister is seen arriving
first at Jeff's apartment and then at The Buttery in
Denham Village on his motorbike. In actual fact,
there were two bikes used, each of the same Triumph
Tiger Cub T20 model, but with different registration
numbers. As the St John's Wood and Denham locations
are some distance apart, it is most likely that the
sequences were filmed on different days and the
bikes supplied without particular importance being
given to the registration. Neither registration is
seen clearly on screen, so not really a candidate
for our 'cock-up' section.
-
Everything in the
afterlife is free, or so Marty says!
-
Only You,
Jeff?
Marty is surprised to discover that Mrs Pleasance,
the do-it-yourself enthusiast who runs The Buttery
tea rooms, can see and hear him without any effort
on his part. She tells Marty that she's had psychic
abilities going right
back to the time that she was a little girl. Mrs
Pleasance claims that this gift is something she
believes she inherited from her mother's side of the
family. This proves very useful when Jeff becomes
imprisoned in the priesthole at Crake Castle and
Marty is unable to extricate him from his
predicament. First, he tries to summon the police
sergeant by blowing a piece of paper from his desk,
but the vicar's niece, who is walking her dog,
helpfully retrieves it for the officer. Marty tries
a different tack and attempts to bring the girl to
the castle by spooking her dog into leading her
there. Finally, he remembers Mrs Pleasance and the
fact that she can see him, enlists her help and
leads her to Crake Castle, where she effects a
rescue. The possibility of Mrs Pleasance being a
useful earthly contact for Marty is short-lived, as
is Mrs Pleasance, who dies trying to fix the
electrics at The Buttery with a screwdriver. Marty
learns this when Mrs Pleasance turns up at the
Randall and Hopkirk offices dressed all in white and
Jeff can't see her...
-
Marty is also
able to influence the pet poodle belonging to the
vicar's young niece. Unfortunately, he can do little
more than annoy it.
|
1963 Triumph
Tiger Cub T20
Registration FTC96B
Driven by James McAllister |
|
|
1963 Triumph
Tiger Cub T20
Registration HYV528C
Driven by James McAllister |
|
|
1968 Vauxhall
Victor FD 2000
Registration RXD 996F
Driven by Jeff Randall |
Also appeared
in:
Randall and Hopkirk (Deceased) -
used extensively throughout the series
Department S - 'The Last Train to
Redbridge', 'The Man from X' |
|
1967
Mercedes-Benz W108
Registration TGT 920F
Driven by Larry Wentworth |
|
|
1961 Bentley
S2
Registration 738 AYW
Driven by Kim Wentworth's chauffeur |
|
Images © ITV
Studios, 1968 |
-
Seen It All
Before? The entrance hall of Crake Castle is a
redressed version of the set used for the interior
of Julia Fenwick's well-to-do residence in
But
What A Sweet Little Room. Kim Wentworth's
bedroom is the study, again redressed, used for the
first two episodes, and the lounge of Laura Slade's
cottage utilised components of the 'sweet little
room' from the previous episode.
-
Cock-ups...
The first cock-up in this episode is a set dressing
error which results in Jeff's apartment being number
14 instead of the correct 41 when he is visited by
McAllister in the teaser.
-
The second is a location to
studio issue. When Larry Wentworth (a reasonable
double for a change!) is seen going to his
Mercedes-Benz on location in the Crake Castle
grounds, we clearly see outbuildings to the rear of
the car. When we cut to the studio, the car has
foliage to the side and rear, absent on location.
Just to make matters worse, when he arrives at Laura
Slade's cottage, he gets out of the car and he has
exactly the same background behind him, only
slightly reframed!
-
When Jeff returns
from witnessing Larry's assignation with Laura, he
knocks at the door of Crake Castle. He receives no
response, so knocks again, whereupon the door opens.
From the outside, it is clear that the inside is
unlit, but when we cut to the interior, the lights
are on.
-
Finally, when
Marty gets talking to Mrs Pleasance for the first
time, he follows her into the kitchen and in order
to pass through the curtains that hang in the
doorway, he visibly parts them. This makes a bit of
a nonsense of his being unable to press the button
on Kim Wentworth's bookcase later in the episode,
where his hand just goes through it. Obviously, this
was a practical necessity, but the sensible thing to
do was to have the curtains tied back for that
scene?
-
And Finally...
This is one of those rare episodes where Jeff
Randall actually gets paid for his trouble - and
quite handsomely, too - and this is despite the fact
that his client, James McAllister, dies shortly
after the cheque is banked! A similar situation had
occurred in the previous episode,
But What A
Sweet Little Room, when Anne Fenwick, who had
hired him, was killed before she could pay. Jeff
continued that particular investigation because he
didn't want her murderers to get away with it. Here
he stays on as he has been paid, but ever the
moralist, he refuses a hefty bonus offered by Kim
Wentworth on the condition that he leaves, because
he feels that something isn't quite right - a
suspicion that is borne out and which almost costs
him his life.
Plotline: Scoton Productions / ITC • UK Transmissions by Simon Coward
and Alan Hayes
Review by Alan Hayes •
Declassified by Alan Hayes with thanks to Vince
Cox and Andrew
Pixley
All timings given on this page relate to the Blu-ray edition of this episode |
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